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Patrick Tomasso
Canada
Приєднався 14 гру 2011
FILMMAKER // FILM ANALYSIS // FREE PIZZA
Find me everywhere @impatrickt
Find me everywhere @impatrickt
when a filmmaker hates dialogue
#dune #duneparttwo #denisvilleneuve
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In this video we talk about Dune Part Two and how Denis Villeneuve hating dialogue is perhaps the reason why his films have such an effect on us.
00:00 Intro
00:18 Denis hates dialogue?
00:56 SICARIO example
01:28 The mark of great Sci-Fi
02:08 Dune is not a normal blockbuster
02:26 The Sandworm Ride
03:15 Real VS Fake
03:37 🍞
04:55 Cinematography
06:27 Visual Control
07:26 The Meat & Potatoes
08:03 Free Pizza
Follow me on X: impatrickt
My Film & Photo Gear (affiliate links):
Godox Tube Light: geni.us/ptgodoxtube
SONY A7iv: geni.us/ptsonya7iv
Fuji X100: geni.us/fujifilmx100pt
Lumix S5: geni.us/ptS5kit
35mm F1.8 Lens: geni.us/pt35mmsony
Voiceover Mic: geni.us/ptvideomicII
Dialogue Mic: geni.us/ptvideomicntg
See the difference yourself and experience what is only on Musicbed. Sign up for your free 14-day trial today: fm.pxf.io/impatricktfreetrial
In this video we talk about Dune Part Two and how Denis Villeneuve hating dialogue is perhaps the reason why his films have such an effect on us.
00:00 Intro
00:18 Denis hates dialogue?
00:56 SICARIO example
01:28 The mark of great Sci-Fi
02:08 Dune is not a normal blockbuster
02:26 The Sandworm Ride
03:15 Real VS Fake
03:37 🍞
04:55 Cinematography
06:27 Visual Control
07:26 The Meat & Potatoes
08:03 Free Pizza
Follow me on X: impatrickt
My Film & Photo Gear (affiliate links):
Godox Tube Light: geni.us/ptgodoxtube
SONY A7iv: geni.us/ptsonya7iv
Fuji X100: geni.us/fujifilmx100pt
Lumix S5: geni.us/ptS5kit
35mm F1.8 Lens: geni.us/pt35mmsony
Voiceover Mic: geni.us/ptvideomicII
Dialogue Mic: geni.us/ptvideomicntg
Переглядів: 119 319
Відео
when a director uses a weird camera
Переглядів 376 тис.3 місяці тому
#cinematography #movies #filmmaking In this video we take a look at a couple interesting cameras being used for 2 upcoming Hollywood features. Steven Soderbergh's "PRESENCE" which was shot on the SONY A9iii and Alex Garland's "CIVIL WAR" shot on the DJI Ronin 4D. We talk about if cameras even matter, what cameras are, and what the future of the industry looks like. 00:00 - INTRO 00:44 - What ma...
Talking about movies with ARRI
Переглядів 10 тис.6 місяців тому
#filmmaking #cinematography #behindthescenes I recently visited ARRI's creative studio in Toronto to talk about movies, cameras, and filmmaking. Enjoy our extended conversation. We talk about the new Alexa 35, Thanks again to Francois and ARRI for having me! Sign up for MUSICBED: musicbed.com Use my coupon code IMPATRICKT23 at checkout to get your first month free when you purchase an annual su...
LOKI Cinematographer Breaks Down Season 2 Secrets
Переглядів 8 тис.6 місяців тому
#cinematography #behindthescenes #lokiseason2 In this video we dive into the cinematography of Loki Season 2 with cinematographer Isaac Bauman. We chat about lighting, lenses, cameras, production design and vfx. Everything that goes into making a blockbuster show for Disney look so beautiful. Today's video sponsor is NANLITE - Check out their incredible lights and equipment here: bit.ly/ptnanli...
roger deakins is actually pretty good at horror
Переглядів 39 тис.7 місяців тому
#rogerdeakins #cinematography #horror This is a cinematography and filmmaking breakdown video essay on how Roger Deakins shoots horror and thrillers. Sign up for MUSICBED: fm.pxf.io/c/3535756/1347628/16252. Use my coupon code IMPATRICKT23 at checkout to get your first month free when you purchase an annual subscription. 00:00 Intro 00:41 House of Sand & Fog 01:22 Prisoners 02:08 The Village 02:...
Why THE CREATOR looks so beautiful (with DP Oren Soffer)
Переглядів 346 тис.8 місяців тому
#thecreator #behindthescenese #cinematography In this video we dive into the beautiful cinematography of Gareth Edwards' THE CREATOR by chatting with Oren Soffer, who worked alongside Greig Fraser and Gareth to bring the film to life. We discuss the filmmaking approach, lighting, color, and the SONY FX3 that was used to make this visual masterpiece. Sign up for MUSICBED: musicbed.com Use my cou...
Why OPPENHEIMER 70MM is breaking IMAX projectors
Переглядів 508 тис.10 місяців тому
#oppenheimer #imax #movies People are reporting issues and break downs with showings of 70MM IMAX presentations of OPPENHEIMER all over the world. In this video we talk about the challenges of projecting such a monster of a film in 70MM, what it means for the future of CINEMA, and whether or not you should skip 70MM IMAX for one of the digital formats all together or not. OPPENHEIMER is directe...
How Apple Could Change Cinema Forever
Переглядів 53 тис.Рік тому
#videoessay #visionpro #apple In this video analysis I discuss the future of cinematic experiences and movie theaters with the recent announcement of Apple's Vision Pro VR/AR headset. Will Apple replace movie theaters and TV? Is cinema dying as we know it, and is that a good thing? Perhaps this is actually the best way to consume entertainment moving forward. Subscribe to my 2nd channel: ua-cam...
Succession: How The Camera Lies
Переглядів 249 тис.Рік тому
#succession #videoessay #cinematography Take back creative control with Storyblocks' unlimited royalty-free stock library and tools today: storyblocks.com/patricktomasso This is a video essay on the cinematography of SUCCESSION on HBO. Let's break down how the camera tricks you into thinking it's all reactive & loose, when in fact it's extremely calculated and precise. Subscribe to my 2nd chann...
In Defence of Beau Is Afraid
Переглядів 18 тис.Рік тому
#beauisafraid #moviereview #movies Get Surfshark VPN at surfshark.deals/tomasso - Enter promo code TOMASSO for 83% off and three extra months for free! This is a review and analysis of the film Beau is Afraid. Snyopsis: Following the sudden death of his mother, a mild-mannered but anxiety-ridden man confronts his darkest fears as he embarks on an epic, Kafkaesque odyssey back home. From directo...
Why The Last of Us works (and others failed)
Переглядів 95 тис.Рік тому
#thelastofus #hbo #review my take on the new last of us show HBO adaptation of the classic video game, why it works, and what other video game adaptations can learn from it. music: fm.pxf.io/impatrickt Subscribe to my 2nd channel: ua-cam.com/video/XaNQdhlmE8A/v-deo.html Best desk accessories: ugmonk.com/impatrickt - Use the code "impatrickt" for 10% off your order. (affiliate link) Twitter: twi...
Why does Avatar 2 look so real?
Переглядів 3 млнРік тому
#avatarthewayofwater #videoessay #avatar2 In this video we take a look at the CGI, cinematography, and filmmaking techniques used in Avatar: The Way of Water. Trying to understand why it looks so real, and more interestingly why it feels so real. This video breaks down a key scene that Corridor Digital tried to analyze whether or not it was good or bad CGI. By looking at behind the scenes clips...
when an insane director makes a sequel
Переглядів 262 тис.Рік тому
#avatar #avatar2 #avatarthewayofwater This is a video essay and review of James Cameron's Avatar The Way Of Water... or better known as Avatar 2. Let's take a look at the filmmaking and storytelling of Avatar 2, how it stacks up to the original and what it means for the future of blockbuster cinema. No spoilers in this one. Hear the difference for yourself with MUSICBED and sign up for a free a...
How Fincher Directs Horror
Переглядів 46 тис.Рік тому
#davidfincher #videoessay #zodiac In this video essay we examine some of the darker work of David Fincher, and how he might be one of the greatest horror directors of our time - even though he doesn't make horror movies. We direct The Basement scene in ZODIAC and how it might be the best and most terrifying horror short film ever made. We also chat about new horror films like BARBARIAN and Hall...
how do you film a UFO? | NOPE Cinematography Breakdown
Переглядів 106 тис.Рік тому
#nope #videoessay #cinematography In this video essay we take a look at Jordan Peele's NOPE and take a look behind the scenes at the cinematography by Hoyte Van Hoytema, as well as a deep dive into the UFO phenomenon, and how humans might not be able to ever actually capture a UFO on camera... unless maybe they have an IMAX camera. Sign up for MUSICBED: bit.ly/ptmusicbed Use my coupon code IMPA...
Top Gun: Maverick - The Answer To Fake Movies (Video Essay)
Переглядів 492 тис.2 роки тому
Top Gun: Maverick - The Answer To Fake Movies (Video Essay)
How Sam Raimi came back to fix the MCU (almost...)
Переглядів 55 тис.2 роки тому
How Sam Raimi came back to fix the MCU (almost...)
THE FISH - A Horror Short Film | Shot on SONY a7iv
Переглядів 28 тис.2 роки тому
THE FISH - A Horror Short Film | Shot on SONY a7iv
Roger Deakins & Denis Villeneuve: Why This Is Their Best Shot | A Cinematography Video Essay
Переглядів 140 тис.2 роки тому
Roger Deakins & Denis Villeneuve: Why This Is Their Best Shot | A Cinematography Video Essay
Why This Is The Worst Scene In SPIDER-MAN: NO WAY HOME | Video Essay
Переглядів 277 тис.2 роки тому
Why This Is The Worst Scene In SPIDER-MAN: NO WAY HOME | Video Essay
Why THE BATMAN is so beautiful. | A Cinematography Video Essay
Переглядів 2 млн2 роки тому
Why THE BATMAN is so beautiful. | A Cinematography Video Essay
THE BATMAN - How Matt Reeves Created A Masterpiece
Переглядів 99 тис.2 роки тому
THE BATMAN - How Matt Reeves Created A Masterpiece
Lumix GH6 Anamorphic Low Light | My Final Review.
Переглядів 47 тис.2 роки тому
Lumix GH6 Anamorphic Low Light | My Final Review.
Panasonic GH6 - Why I'm disappointed. (Lumix S5 Owner Hands On)
Переглядів 23 тис.2 роки тому
Panasonic GH6 - Why I'm disappointed. (Lumix S5 Owner Hands On)
LUMIX S5 VS SONY A7IV - It's not just autofocus.
Переглядів 69 тис.2 роки тому
LUMIX S5 VS SONY A7IV - It's not just autofocus.
Is YouTube making you a bad filmmaker?
Переглядів 11 тис.2 роки тому
Is UA-cam making you a bad filmmaker?
Emulate The FILM Look Easily Without LUTs | Video & Photo Color Grading (Slog3 + Any Camera)
Переглядів 167 тис.2 роки тому
Emulate The FILM Look Easily Without LUTs | Video & Photo Color Grading (Slog3 Any Camera)
A Cinematic Cheeseburger Film | SONY A7IV
Переглядів 32 тис.2 роки тому
A Cinematic Cheeseburger Film | SONY A7IV
I have to say that the ulanzi will fit on a case or rig and is well presented and the clarity or soft as you mention ion the sign is Mr perfection kicking in and in film, even at the cinema stage who sees that plus your going to watch this on substandard gear, so twice the price or more is Questionable.
"But if you leave the camera rolling.." you sound exactly like Matt Damon when he tells the story of Jack Nicholson on the Departed 😄
that Kirkland doggo sweater was the caboose I waited around for!
For me and the level of production I'm at... THIS is exactly the case. Blackmagic provides me exactly what I need for when I'm having do to most of the work on the indie movies I have shot. At this point I go in assuming I'm bringing Camera, Lighting and Grip. Nothing too big but I'm providing all that and I have very little help. The URSA Mini Pro G2 and now the Pocket 6K Pro combined with the RS3 Pro and LIDAR are an amazing combo. I can go from my tripod to dolly to jib to handheld super quick! Usable screens on both cameras, simple menu system, false color, LUTS, BRAW, build in NDs, EF mount for my photo lenses/vintage lenses, easily swap to PL mount for PL Lenses all these things make them great cameras for me to actually own and not break the bank cause I know I'm going to be using these cameras for majority of the projects I shoot and don't have a crew to help. I would love to shoot ARRI at some point but until then if I'm hired and I don't have a crew, I'm using my BMs
I had to stop watching the film about 1/3 in. The low light was much too frustrating. I couldn’t see what was going on most of the time. I understand that people think that makes it “artsy”, but I saw no point in continuing to watch if I couldn’t tell what was happening. My eyes hurt trying to adjust to the low light for so long.
I heard the cable is usb-C on one end and usb-A on the other, which makes no sense, but is that true? If so do we need to be careful about what kind of converter to use? Thanks for all the info!!
excellent. explains why I hate blockbusters.
see also: LADY IN THE LAKE
Great video and much appreciated. Thank you
I remember this exact conversation happening when Danny Boyle used the XL1 on 28 Days Later and David Lynch used the Sony Z1 on Inland Empire.
Nobody said you need the best of the best to make movies, its just that if you want wide spread viewing over mulitple platforms you need the best of the best, some film festivals demand a certain type of camera, most streaming services have reuirements fro cameras, you cant just pick up and use whatver, but if youre shooting for youtube or vimeo anything goes. just dont expect a major production house studio deal thingy
When will these massive companies catch onto the fact that knowing these details about the shows make us love them more? Why didn’t I know so much of this when I was watching it?
I don't think it's so much that the gear doesn't matter. I think it's more that consumer hardware has gotten so good compared to professional hardware from decades ago, that you don't need modern top of the line equipment for most use cases.
Really loved your thoughts and analysis about this topic!
do i really need a microphone???
Bro you talking about cameras a lot, but why your lamp in the background flickers so much 😭💀
Exactly! If you use it all the time, it loses its effectiveness when really needed, so the film lacks visual dynamic and becomes flat in that regard. People use all sorts of things just because they're "cool", like wide aspect ratio that doesn't benefit that film in any way, and even worse, often it degrades it in many ways. Thanks for all the amazing videos! 🍀
Wow
28 Days Later (2002) & Inland Empire (2006) are other good examples
This is why I love the internet. Amazing videos for any question you may have.the portrait section is the best. That separation of the subject from the background looks like a fake cutout. I say that as a compliment of course
There's another device that is interrupting the signal.
This is why I prefer The Batman to the Nolan trilogy. Gotham is a character in and of itself!
Bro, some of your links are not working
i dont care
@@impatrickt Oh wow, I thought I've discovered a reasonable mentor... Guess I was wrong...
Fantastic material about Batman!! Your work also has this atmosphere, good job.
Hardcore Henry is another great example of the right camera for the right film. sounds like an exercise in self-flagellation on all other aspects though
Shin kamen rider iPhone shots
I wonder if Blue Ruin (2014) even made it's money back? as even though the camera as prosumer, the production budget was $420,000 and the complete revenue made was about $1.3m, there are a lot of fingers on that pie taking a slice in distribution. At least it show what is possible for the price of a small house 😀
he's still making movies!
NOOOO EVERYTHING MUST BE RIGHT! PANAVISION REEEEEEEEEEEEEEE!
Niceee
in 2004 i make a movie using Panasonic DVX100, then afterthat im doing many TVC using almost everry kind of camera, from ARRI SR II, ARRI BL 35 [celluloid] then comes digital world [which is many youtuber suddenly become filmaker] i use canon 5D mark i-ii, red,sony, alexa,BMPCC, Ursa,Lumix, Sigma.. then in 2020 i make movie using Red epic + BMPCC 6K, 2023 i make movie again using SONY FX 6+FX 3. in my opinion.. Canon is good at 5D MK II. after that Canon C 300 is too sharp, is very Video look.. idk, why millenials youtuber like to ddiscus about this Canon C 300. is not a give film look to me..
Blue Ruin looks great. More my style. The Creator also used $80k lenses and still Blue Ruin looks better in my opinion.
a lot people keep mentioning the lens cost but its totally irrelevant - i was gonna rent the 75mm for this video and it would be been 600 for a whole week lol thats nothing. in fact, in part, you are right - thats why the creator looks good too. the lens but cost is not an issue with lenses because renting is so economical.
@@impatrickt yeah but The Creator also still has that Sony look which looks a bit mechanical. I own a A7S3 which has really helped me notice if a movie was shot with a Venice. Even though I like the look of Red and Arri I was blown away by Top Gun Maverick. Left the world behind looked crazy good too.
@@heynow2880 thats in your head
@@impatrickt yeah that’s why I said it!!
@@heynow2880 haha
Blue Ruin, one of my top 3 favorite movies ever made.
so good!
Why did you ask to get Taco Bell if you already got Taco Bell?
Whoosh
"Crazy old like sony like handycam like things..." excuse me while I shrivel up and die. Also, Gareth was NOT shooting on a "handycam". It was the Sony EX3 (part of sonys ENG line of cameras) with a Letus35mm converter. This was our way of getting that cinematic look before the 5D Mark II came on the scene and really changed the game for low budget filmmakers.
Crazy old. Exactly.
@@impatrickt you whipper snappers.
Thanks to your shoutout I just watched Blue Ruin which hadn’t been on my radar at all. Really enjoyed it! Good film, very beautifully shot
The sony alpha cult will spread and take over holliwood, and i for one like it
Couldn't pass 35min mark. What a crap movie.
one question . is it shot on normal color profile? i just bought the camera but dont have know if i go for log footage or not
Do you make intros paid for ?:)
One big obstacle that gets in the way of the Apple Vision Pro being a substitute for a trip to the movies: weight. Far more comfortable to watch a movie for 2 hours without something as heavy as the Vision Pro. If there was a way to have the Vision Pro suspended from a ceiling to prevent the need for your body to carry the weight, then it would be closer to being a legit substitute for going to the theater.
beautiful movie, watched in theatres and at home in a pitch black room and it was still so awesome and immersive the second time
People like to obsess about gear because pointing out how Director A used hyper expensive camera Y is a convenient excuse for why they themselves aren't capturing Hollywood level footage.
Location/Production Design/Set Design/Set Decoration over everything else. Lighting is important but you can plan and frame around natural light. You'll blow through a lot of budget trying to fight the sun.
Just bought my iPhone 15 pro max in Korea and man these orbs 😢
Damn, I thought I was the first person to shoot a feature film on the Sony a7iii, I didn't know about the film Come True.
Rest in peace to Harris Savides. Zodiac is probably one of the most underrated movie of the 21st century. I’m also thinking of Brothers (also with Jake Gyllenhaal) and First Man, just to name a few others
Zodiac is the only movie to give me nightmares as an adult
...and this is how and why most of the movies on Netflix and Amazon are garbage. Any wannabe with a cheap camera is now a director, producer, DP...shooting nothing with nothing subject in a nothing location, hoping to sell their POS creation to streaming providers. Also forgot to mention, get the hell off the WOKE bandwagon mentality.
civil war camera cost 169,599 dollars, is weird but not cheap
While I mostly agree with your points, Civil War was not exclusively shot on the Ronin. The A camera was a Venice.
the fact that you’d never know unless you read IMDb makes this irrelevant
@@impatrickt Well it still makes it relevant, in terms of DI. There is much work being done behind the scenes in matching footage with different color sciences. Yes you can match any two cameras these days, but not everyone has the display prep pipeline that big studios have with the help of color scientists. It’s not like they are throwing footage in the timeline and matching it by eye.
@@CHproduction94 the point of my video was not that you should shoot on a Ronin. It’s that you shouldn’t even think about the camera outside of whatever makes it easiest for you. Which is why I simply don’t care.